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Content-Type: text/html 20 Awesome Indoor Tree Houses   • by Lou Wallace on Consumer Electronics
The Incredible Rise of Transforming Apartments   • by Lou Wallace on Consumer Electronics
Can you recover deleted iMessages on iPhone or iPad?   • by Selion on iPad Tablets
Deleted Post   • by obie on Storage
Deleted Post   • by obie on Storage
Cultural Events in NYC (May 2016)   • by Artist on Digital Post Production
Cultural Events in NYC (May 2016)   • by Artist on Film Industry
Cultural Events in NYC (May 2016)   • by Artist on Educators
Cultural Events in NYC (May 2016)   • by Artist on Visual Communicator
Featured News:
Z CAM & ASSIMILATE Partner to Simplify and Demystify VR Productions, Offering the First, Complete, Integrated VR Workflow
Z CAM and ASSIMILATE have joined forces to lower the threshold to entry for producing high-quality VR productions, making it a viable media for all content creators. Creating professional VR/360 experiences has generally been complex and costly, with the myriad decisions and tools needed for a VR workflow - cameras, stitching, and a mix of post-production software. Z CAM and ASSIMILATE have partnered to simplify and demystify VR content creation, offering the first, complete, integrated VR workflow with the Z CAM S1/SCRATCH VR Z Bundle: - from image acquisition with Z CAM's high-performance S1 Professional VR Camera, and stitching with its optimal WonderStitch software, through to a streamlined VR post-production workflow with ASSIMILATE's real-time SCRATCH VR Z tools. ...Read More »
Business Issues:
Content Insider #516 - Content View
The content industry is all aflutter as they head for Vegas and NAB because things are changing and content delivery, ad production, ad buying people aren't really sure if change is a good thing. Indie filmmakers are seeing new distribution opportunities (ways to get their stuff seen) and content consumers are finding new ways to make their voices heard. As someone recently said, FANG (Facebook, Amazon, Netflix, Google) has mucked up a perfectly good business model and allowed the viewer determine what he/she wants to watch when and where folks want to watch it...and what they don't want to watch! The challenge will be to see how the infrastructure industry handles 7 billion folks picking their own stuff. Maybe the abnormal heart rhythm will become the new normal. ...Read More »
Events:
OWC Hosting Video and Audio Professionals In-Booth Throughout NAB Show
Filmmakers will take center stage in OWC's booth - SL8905 - during NAB ...Read More »
Feature:
Reallusion Character Creator
Reallusion has launched Character Creator (CC) 2.0 featuring enhanced visual quality for 3D characters with industry standard PBR shaders, Image Based Lighting options, and a new Substance Material Generator to dynamically design high-quality 3D characters and appearances. It comes with updated visuals for industry standard PBR shaders, allowing users to import PBR textures made with 3D paint tools like; Substance Painter, 3D Coat, or Quixel. Users can now export their Character Creator assets to iClone 7, Unreal, Unity, or Sketchfab with the same PBR visual quality. ...Read More »
Technology:
Content Insider #515 - Streams
Yes Google is getting back to the point where they can make a ton of money selling ad space on YouTube (along with your online activity data) but they have ambitions like everyone else. It's their own streaming video/movie/content channel. Ok it's not Netflix, Amazon Prime, Sky or Rogers but it's only $35 a month (whooppee!). My issue is that there is too much really insanely great indie filmmaker work out there to bother with the YouTube stuff. At NAB everyone will be hustling their solutions and hoping to gawd everyone doesn't get on the iNet or airwaves at the same time. Fortunately industry executives will get right on that little problem next month and by the time we're all needing a video fix it will be there...they hope. ...Read More »
Featured News:
ASSIMILATE Announces New SCRATCH VR Suite 8.6
ASSIMILATE achieves another virtual reality (VR) breakthrough with its SCRATCH VR Suite 8.6, the new version of its real-time post-production tools and workflow for VR/360 content. With added GPU stitching of 360-video and ambisonic-audio support, as well as live streaming, and more. The SCRATCH VR Suite 8.6 now enables VR content creators - DPs, DITS, post-production artists - with the only professional, streamlined, end-to-end workflow for VR/360 content on the market. ...Read More »
Business Issues:
Content Insider #513 - The Shooter's Job(s)
Indie filmmakers learn a lot from their mentors, their peers, film schools, almost everyone they meet - new ideas, new techniques, new solutions. The produce super entertainment for people around the globe to enjoy. What I haven't heard too often is getting their creative work seen by real people. And today with so many viewing options and a dizzying array of content...how do you market it to keep your film work in front of eyeballs to enjoy (and pay for). Nicole and Chris Sobchack's recent release of a hilarious episodic series ,Please Tell Me I'm Adopted! gives you an inside view of what it takes to produce the film of your choice and get it seen. See what Nicole and Chris learned along the way as well as their sequel and future filmmaking plans. ...Read More »
Project Profile:
Blackmagic Design Unveils the Darker Side of Filmmaking with "She Has a Name"
"She Has a Name," the latest independent film out of the Canada-based Unveil Studios, is a dark documentary-style thriller based on the taboo subject of human sex trafficking. More than a movie for filmmakers and brothers Andrew (writer), Matthew (director/editor/color) and Daniel (director/editor) Kooman, "She Has a Name" is human rights statement designed to remove the public's numbness to what has become a global epidemic. ...Read More »
Feature:
6 Tips For Using Social Media To Drive Television Ratings
Did you know that Facebook is the top-performing social media platform for television programs? Data has shown that a 3% increase in Facebook likes leads to a 1% increase in ratings. Here are some of our best practices for using social media to help drive television ratings. ...Read More »
Project Profile:
Hoover High School's "Mobile Storyteller" Hits the Road With Blackmagic Design
The video journalism program at Hoover High School in North Canton, OH, recently expanded to include a mobile production truck, called the Mobile Storyteller, as a way to further student engagement with the community. The Mobile Storyteller provides high impact, career based education for students as they work on various client projects, preserve the arts in the community, build cultural awareness through journalistic storytelling, and provide onsite training for students and teachers in other video journalism programs. ...Read More »
Product Review:
Vegas Movie Studio Platinum
The familiar light grey facade of the Vegas family has been changed to a black motif in Vegas Movie Studio Platinum (and I suspect this will flow through to Vegas Pro as well. All the kids are doing it!) that is not unattractive. In fact, the whole interface has been made over and somehow looks cleaner and more businesslike. Text descriptions and icons are sharp and clear and if there is any criticism, you may have to change your monitor's contrast a little as on my Dell 27 XPS All-in-One, the vertical lines in the timeline were quite faint. In the past if someone suggested you could get probably 85% of the power of Premiere and After Effects together in a package that sells for under a hundred bucks, you'd think they were barking mad and aiming to be the Pres of the USA perhaps! ...Read More »
Project Profile:
DP Benjamin Gaskell Shoots the Latest Installment of the Witness Project Documentary Series with a Blackmagic URSA Mini 4.6K
In late 2015, Smock Media, a Venice Beach-based film and VR production company, and the Victims of Communism (VOC), a Washington, D.C.-based human rights organization, came together and started The Witness Project. Beginning with a two-episode pilot that told the tales of life in communist regimes, the Witness Project debuted at a screening at the Library of Congress and began the greater journey into the victims' stories and inherent strength. Building on that success, Smock Media and VOC decided to expand the series into an eight-episode arch for 2016, with even more slated for later years. DP Benjamin Gaskell was brought on to tackle the first episode of the second installment, which would set the tone for the rest of the documentary series. The episode focused on Anastasia Lin, Miss World Canada 2015 and 2016, and her story. ...Read More »
Technology:
Workflow on the Edge
Behind the Scenes Production of Invisible the Episodic VR Series

The most common question we get when we point people to Doug Liman's VR series Invisible is how did they shoot and produce it. VR is finally becoming real and real attractive to indie filmmakers and viewers and people want to know. Well, we didn't know so we talked to the person who did all the work - Lewis Smithingham, 30 ninjas. Production and post of any film is the unglamorous part of the content industry but it is also what makes good video good video. Despite his hectic schedule Lewis took the time to discuss and explain the ins and outs of great VR shooting and production to give the viewer an experience that he/she won't soon forget. Like most filmmakers he's was willing to share to what he has learned to help VR films become standard fare for an eager audience. ...Read More »
 more top stories :
Interview:
Two Alone Together - Balancing How Lives Can Change in a Flash
Technology:
Workflow on the Edge - Behind the Scenes Production of Invisible the Episodic VR Series
Product Review:
Lightworks from Editshare
Video-Based Tutorial:
SCRATCH VR Stitching and Ambisonic Audio Tutorial
Product Review:
iClone Character Creation
NEWS:
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