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A Q&A with Gino del Rosario, Head of Technology at Image Engine Image Engine was the primary VFX facility on "Chappie", so we were tasked with all the fight sequences, hard-surface character creation, live action animation, comps and lighting jobs that Neill Blomkamp and Sony Pictures requested. Our team consisted of about 150 people working out of the Vancouver office for about a year and half. Read More

A hush falls over the crowd as tension mounts. The referee places the ball just 12 yards away from the goalkeeper, who gingerly sways from side to side, keeping his body loose in anticipation of the split second reaction time he has to make a save. The opponent readies himself, not wanting to give away which section of the net he's aiming for as he gets into position behind the ball. Fans hold their breath as the referee blows the whistle, the kicker launches the ball and the goalie dives... Read More

A Q and A with KnowBe4 CEO Stu Sjouwerman There is a new, highly malicious ransomware strain that only takes one click to infect a workstation. This aggressive ransomware gives the victim a mere 24 hours to pay the ransom in Bitcoin. It's called the "Pacman" ransomware, suggesting pictures of something eating up all files. Read More

Prologue's Simon Clowes Grades Opening Cinematics for Bungie's "Destiny" Creating a cinematic opening scene for a video game is incredibly hard to do well. You have a couple of minutes to tell a dramatic story that will capture and bring the gamer into a new world, as well as set up the background story and emotions for the countless hours of gameplay about to happen. And for game makers, the opening cinematic has to separate you from the hundreds of other games out there. Read More

With Blackmagic Design Studio Camera and ATEM 2 M/E Production Studio 4K Based in York, PA, Grace Fellowship is a church with very humble beginnings. What started around a dining room table in 1989 has now grown into a thriving community of approximately 1,400. While Grace Fellowship has continued to grow in numbers, it has also grown in depth, and central to the church's growth has been helping people around the world to love and pursue God deeply. The ministry has a global reach through its innovative use of video and audio, and Michael Anthony's teaching ministry at Grace Fellowship and through Godfactor are key reasons why the church chose Blackmagic Design to upgrade its A/V equipment. Read More

When many people think of libraries, they think of rows upon rows of books meticulously categorized and alphabetized. Perhaps there are tables with lamps emitting a soft glow and students bent over their studies or readers lost deep in the worlds of their favorite novels. Located in 26,000 square feet of space in the Orlando Public Library, the Melrose Center expands the role of the library by offering access to hardware, software, support and programming to inspire and invigorate creativity. And according to Anthony Torres, video production instructor at the Melrose Center, it's free of charge for library cardholders. Read More

A healthy dose of video tech iOgrapher is a remarkable product that can turn your iPad or iPhone into a professional field tool for production. Last year, attendees at the National Association of Broadcasters (NAB) visited the iOgrapher booth to see the framework in action. Since then, iOgrapher has been showing up wherever people are documenting their with iOS video. This weekend, iOgrapher flexed some muscle at The Fit Expo in Los Angeles, showing up where most people are talking about healthy lifestyle options. Read More

Blackmagic Design Interviews Adam Bell on the Why and How Alan Edward Bell is the editor of The Hunger Games and shares with us today his highly specialized editing techniques. With an early career in a range of positions in visual effects and editing on such projects as "Duplicity," "A Few Good Men," "The Green Mile," "Water for Elephants," "The Amazing Spider-Man," and of course the more recent "The Hunger Games: Catching Fire," and "The Hunger Games: Mockingjay" Parts 1 and 2, Alan Bell explains why Fusion is a fundamental part of his very unique editing with compositing process. Read More

Microsoft is a software giant that develops an extensive range of products ranging from the ubiquitous MS Office suite to highly specific business oriented solutions. However, unlike other manufacturers and software developers, Microsoft does not sell its products itself; instead it has dedicated partners for this. This means that if you want to buy a Microsoft product or service, then you will have to do so with the help of a Microsoft partner. Read More

10 Facts You Need To Know At $12Bn a year the IP switch market is approximately 40 times bigger than the SDI router market. This scale drives an investment in R&D - with consequent rapid development and reduced costs - that is simply impossible in the broadcast business. Broadcasters can benefit from this economy of scale and high velocity development but only if they stay with mainstream equipment. Building specialist IP switches for broadcast is a bad idea - it cuts us off from the IT future. Read More

By Matthew Williams / Director of Photography When writer/director Deep Williams (no relation) found me through my work as DOP on "American Pastime" (Warner Brothers/2008), he was looking for a specific look and feel for his upcoming short film project, "The Sac Fly." He liked the feel of the imagery created for "American Pastime," where the images play a big part in creating the mood and help tell the undercurrents of the story. His pitch had me from the beginning-a dramatic story of racial inequality, told with black and white imagery. The issue became not one of "can I" or "will I" do it, as I was obviously interested, but one of budget. Read More

Experiencing the Wunderbar with Blackmagic Design One might think an 18 year old film student would be just starting to learn the ropes of the film world. But John Byron Hanby IV, a freshman at The University of Texas at Austin, already has years of experience under his belt. He even started his own production company when he was just 16. Discovering his passion for filmmaking at age eight while making a documentary about his local martial arts studio, John began to dabble in short films and corporate videos. In December 2012, he founded his production company, Fractal Visuals. Read More

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